Here’s some choice bits:
“My publicized “not being into” Angel Dust was all about the way the whole process went down. There was a lot of weird pressure to follow up The Real Thing, and as a consequence, the album AD was more contrived musically than I thought was necessary. I wanted more of the record to happen in the studio and Bill wanted every last tack nailed down before we went in. I wanted to spend time with it, management and the record company wanted to rush it out the door. There were a bunch of journalists in the studio. We were paying for a bunch of sampling that we could have created. Matt Wallace was calling me on the phone complaining about Mike Patton’s performance. Management and record company were calling me complaining about Mike Patton’s performance and desire for outside projects.
The record company president came in the studio and said: “I hope nobody bought houses” All the air got sucked out of the room. That was one of those great moments when reality slaps you in the face. Some of my associates (had) bought houses. The pressure was on, and everyone wanted to be in the studio with me while I recorded, endlessly tinkering and fucking with me and fucking with Matt, and Matt is a really fucking wound up guy already. Prior to AD, I would work alone with Matt and his assistant engineer period. I had to kick everyone out and even though it was not a new concept it really pissed everyone off.”
“I am happy AD is regarded in a positive way. It is an affirmation of the legacy we all worked to create. I am aware that some of the newer bands I actually like have referred to FNM as an influence. I am also aware AD was on the Kerrang! Most influential albums List of 2003. Is it an artist’s affirmation? That’s fine. Am I surprised? I don’t think anyone can be expected to anticipate something like this.”
“I remember hearing some of the music a long time ago but I didn’t really study it. I remember thinking it was heavily reliant on Mike. As for other persons playing my music, I don’t really believe anyone could book a show as FNM without playing my music.”